Can the Muppets Make Friends in Ramallah?

In the name of God, compassionate & merciful بِسْمِ اللهِ الرَّحْمنِ الرَّحِيمِ | Peace be with you السلام عليكم

(Read the full original post on NY Times)


This season’s episodes of “Shara’a Simsim,” the Palestinian version of the global “Sesame Street” franchise, were filmed in a satellite campus of Al-Quds University, a ramshackle four-story concrete structure that houses the school’s media department and a small local television station. The building sits in an upscale neighborhood on the outskirts of the West Bank city of Ramallah, not far from the edge of the Israeli settlement Psagot. Like many structures on the West Bank, the Al-Quds building seems to be simultaneously under construction and decaying into a ruin. Some walls are pocked with bullet holes, from when the Israeli Army occupied the building for 19 days in 2001, during the second intifada. In another life, the building was a hotel, and the balconies out front where TV crews and students take smoking breaks overlook the crumbling shell of its swimming pool.
Uriel Sinai/Getty, for The New York Times

Backstage after the school performance.

The TV station at Al-Quds, called Al-Quds Educational Television, was started a decade ago by Daoud Kuttab, a 54-year-old Palestinian journalist who is also the executive producer of “Shara’a Simsim.” Kuttab (who wrote a dispatch for The New York Times Magazine in 2003 on the way Arab TV covered the outbreak of the Iraq war) lives in Amman and works both in Jordan and in the Palestinian territories. He started the channel — one of dozens of tiny mom-and-pop-style microbroadcast operations in the West Bank — in part so that he would have a venue, however small, from which to broadcast “Shara’a Simsim.” At the time, in the late 1990s, the official Palestinian TV station was unwilling to show “Shara’a Simsim” because it was produced jointly with “Rechov Sumsum,” the Israeli version of “Sesame Street.”

Since the inception of “Sesame Street” in the United States 40 years ago, the nonprofit New York City-based organization that produces the show, which is now called Sesame Workshop, has created 25 international co-productions. Each country’s show has its own identity: a distinctive streetscape, live-action segments featuring local kids and a unique crew of Muppets. Bangladesh’s “Sisimpur” uses some traditional Bangladeshi puppets, and South Africa’s “Takalani Sesame” features Kami, an orphaned H.I.V.-positive Muppet. But in each co-production, at least in its early years, every detail — every character, every scene and every line of script — must be approved by executives in the Sesame Workshop office, near Lincoln Center.

This requires a delicate balance: how to promote the “core values” of Sesame Street, like optimism and tolerance, while at the same time portraying a version of local life realistic enough that broadcasters will show it and parents will let their kids watch. The Palestinian territories have been, not surprisingly, a tough place to strike this balance, Sesame executives say, rivaled only by Kosovo...

Tan, tan tann! (Read the full original post on NY Times)

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By:
The Misanthrope
Peace & respect ★

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